fiction
creative nonfiction
about deadpaper
         
         
   
john jenkinson
   
         
   

       Born in Independence, Kansas, John Jenkinson earned his PhD at the University of North Texas and his MFA at Wichita State University. Author of two prize-winning chapbooks, he recently served as Milton Center Fellow in Poetry at Newman University. John’s poetry has won a variety of awards, and may be read in a wide swath of journals. His first full-length collection, Rebekah Orders Lasagna, is available from Woodley Press, Washburn University. Rebekah Orders Lasagna was a finalist for the William Rockhill Nelson Award.
       He teaches Literature and Creative Writing at Butler College, where he initiated the Oil Hill Reading Series, bringing in poets such as Albert Goldbarth, Jeanine Hathaway, and Bryan Dietrich.
       Recently John has returned to an old interest, songwriting; he has studied formally under Don Koke, and is a semi-regular at the Singer/Songwriter Circle in Wichita. As of this writing, he awaits the release of his first C.D., “The Mystery of Love.”
       John is married to fiction writer Catherine Dryden.

   
         
   
Black Walnuts
   
         
   
Torn elm and blown oak, the dry October leaves
scuttle across the dusty bricks of Fountain Street
and settle in our half-mown yard. After a morning
 
spent hulling black walnuts, nudging the Ford
back and forth over the carapaced ranks, hundreds, green
in the driveway, spinning the hard-shelled nuts free
 
to crack like musket balls against the neighbor's cedar
fence and our garage, I've taken a seat on the front porch:
a bucket, a block, and a bricklayer's hammer, a will
 
and a way and a bottle of iced Shiner Bock with a lime.
Turning the nuts in my browning hands,
setting them one-by-one on the concrete block,
 
I drive the hammer's peen-blade home, split
them evently -- more often than not -- then turn
each half for a quartering blow. Now comes the time
 
to finger and pry till the meats work free, to drop
them into a seal-tight plastic tub, over an hour
to gather a pint, while the squirrels look on, red
 
as Oklahoma wind, and chatter, fierce
little chainsaws, their black eyes glazed with rage.
   
         
   
The Body's Spice
   
         
   

The fool foldeth his hands together, and eateth his own flesh.
—Ecclisiastes 4.5


Your mind, red-faced and screaming, cries
From the dinosaur light and the blazing flower
At four in the morning, turns up the shower
To “Skald” and severs the beast from its promise.

In the garage, cats rest until death gathers
Their little white blooms. Their shapes linger on,
Glide from our mouths like cartoon balloons,
Or the frost that accompanies speech in winter.

Here in our hospital, nobody sees
How a sliver of goose flesh, miracle-cured,
Lies on your tongue, a new-coined word,
Or how mopped hallways beckon like thin ice.

Hosts to each other, we’ve learned to rely
On smoldering unguents to glorify
The least glint of our bodies, nasty
As God, sanctus our brawl of belly-

Flesh beneath the white sheet’s blue starch,
Stiff as a tablecloth. We repose
Like two after-images, no purpose
But palliative, hungry for touch.

   
         
   
The Astro-Physicist's Wife
   
         
   

I have the result, but I do not yet know how to get it.
—Carl Friedrich Gauss


Why not indulge her dear vice, calculate
This reclusive planet’s sun-bound loop,
The difficult orbit of sincere delight
Whose ellipses could have perplexed Laplace himself?
And where lies bright-eyed Heaven’s white dwarf?
Hidden, behind Ceres, from the telescope?

All of this arithmetic’s the sport
To cadge an infant, an unrestrained sublime
When a Gauss-brained boy’s too mazy to resort
To the logarithmic tables he’s memorized.
His numbers lie – stark, memorialized –
Blinking through the interstellar grime.

The laws of gravitation indicate
A resting-place for non-Euclidean clods.
With integers, he tallies the times his mate
Performs an eclipse with some butcher’s son.
He sums it up as classic imperfection,
Counts it on his fingers, just like God’s.

   
         
   
Triolets in an Abandoned Farmhouse
   
         
   
Mirror

A mirror, blue with tarnish,
Hides me from myself.
I very nearly vanish
In a mirror blue with tarnish.
My silver image finished,
I’m lost as any elf.
A mirror, blue with tarnish,
Hides me from myself.


Windmill

The windmill’s cables whine
In the wind: a steel guitar.
Along their angled lines,
The windmill’s cables whine
Like these sinews of mine
When I bend into my car.
The windmill’s cables whine
In the wind: a steel guitar.


Kitchen

The kitchen, full of scat,
Once held coffee, dog food,
A colony of rats.
The kitchen, full of scat,
Bears my puzzled tracks.
I prowl for something good,
But the kitchen, full of scat,
Once held coffee, dog food.


Broken Record

1961.
The calendar lies torn
And faded by the sun.
1961.
Maris. 61
I was alive. Forlorn.
1961.
The calendar lies torn.


A Purple Blouse

I found a purple blouse
Upon a sachet hanger
Some lavender once doused.
I found a purple blouse
Intact in this old house,
Exempt from time’s danger.
I found a purple blouse
Upon a sachet hanger.


Polecat

Beside the barn a polecat
Hisses me to leave.
I heed his caveat
Beside the barn. A polecat’s
An ardent diplomat,
And no one says I’m brave:
Beside the barn a polecat
Hisses me to leave.


Under the Iron Bed Frame

Beneath a bed of iron,
Left sprawling in the dust:
Job 7:21.
Beneath a bed of iron
King James may have drawn
Sustenance from lust:
Beneath a bed of iron
Left sprawling in the dust.