Desmond Kon
 
   

Desmond Kon Zhicheng-Mingdé has edited more than 10 books and co-produced 3 audio books, several pro bono for non-profit organizations. A recipient of the Singapore Internationale Grant and Dr Hiew Siew Nam Academic Award, he has work forthcoming in Blackbird, Copper Nickel, Ganymede, Pank, and The Writing Disorder. Also working in clay, Desmond sculpts commemorative ceramic pieces for his Potter Poetics Collection, these housed in museums and private collections in India, the Netherlands, the UK and the US.

 
   
An Impossible Affirmation, Mot Juste
 
   

you didn’t quibble over the potatoes or the oats or the galway wheat yesterday; for today

we are satisfied looks at each other, we eat what little cheap stew, so lean it soups bouillon

like something black and rubric, you my safeguard, sleepwear in mid-morning, unfastened;

 

you keep the wooden spatula as a ladle, oven mitts as placemats, over the warm griddle

for our hands to stay warm; all overall married flavours; all that wets down this reluctant

thin-bodied night feeling at once persistent right and necessary wrong; where’s the moon

 

tonight, you point past the embankment to the rising lake, almost functionally fluxing;

they should know our longings, you say, because they hide from their own; they’d know

the seduction that solicits pure acquiescence, our quiet of rising, falling million rhythms;

 

in three downings a bottle of dunphy’s premium, its malt a handwoven mellow, two hands

on shoulders, then flushed, playful strokes down my back; poets relinquish control

over your gaze, your emotions, your sentiment never open affection; how you disappear

 

from our meetings, companionless encounter in your room, headset music in willful blasts

there’s flamenco and salsa, algerian to african, sudden hot mix, funk, trance, happy house

removed like you when anger makes you a large ire, your quiet admonition a branding;

 

your mind city in clifden, its small farms still strangely benign, unruffled, a plainchant

you admit you’re the urbanity of me, a structural soundness, phrasal breaks on an ibiza

daily missal but ruptured discipline, our kitchen unseen as tuam, as sugar-beet sweet;

 

tomorrow you go to goa, then malacca where you’ll see francis xavier in a different lean

maybe you’ll stand at the waterfront like a watchtower; maybe you’ll hear old begging

stories of miracles and take them to heart, more secret sacred corroborations you need;

 

of acceptance, of redirection, a broken mica and demonstrative of more lost answers

of reading ricoeur together, how he broke the frame of the line, lyric as undone, figural

as shared memory, dislodged chesses flung onto the river below to float, frayed nerves

 
   
Three Tailors and Daylight Harvesting
 
   

tailor with the loop tool: nevermind the basalt slabs now replaced, let them

walk over geometric mosaic floors, underneath stratum layers of history

and vallum prehistory like a page, let’s brown-bag lunch till evensong 

tourists arriving from easy travel, their riesling with us, and seedless grapes.

 

tailor with the tulons: not the wide-eyed same when you read pierre joris

not the sky-ride same when you lived in queens, frying pans dangling

next to a hardcover on decorating with skylight windows, economy storage

in mind, between obeyesekere’s imagining karma and culler’s pursuit of signs.

 

tailor with the reflector: maybe, maybe there’s jotter dinner in that extra bag

open platter of stuffed capsicum lightly sautéed, dash of turmeric and lemon

unsalted roti from the griddle, apricot and mango kheer, and across

our tea lights, greek cognac cookies for celan when he wrote to gisèle:

 

no more words, no more noise,

nothing now

dodging my step – I’ll be there, next to you,

in a moment, in a second that will inaugurate time